|Chalkwhitehands - 50 Examples of Anything - Chalkwhitehands|
The music on this album is released under a Creative Commons Attribution-Noncommercial-Share Alike 2.5 Australia licence. As such the listener is free to: o Share — to copy, distribute and transmit the work o Remix — to adapt the work When doing so you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work)...
Keywords: bitkins; noise; drone; ambient; abstract; avant garde; electronic
|Tom Phonic - Don't Be a Delimiter|
"It's sad that electronic music gets cut into subdivisions, stacked up in silos, and confined to genre ghettos with the names hyphenated together to fit whatever the new style is that just came out this week. In his new release, Tom Phonic ignores all of this to make an eclectic and creative record that opens the party doors wide. The album, "Don't Be a Delimiter" plays with styles but it sounds more like pointillism than collage...
Keywords: IDM; electronic; music; bitkins; tom phonic; rock; awesome
|Ruin - Happy Drone Day - Bitkins Electronic Music Label|
Happy Drone Day is, really, the first official Ruin LP. I say this, although I have released other long play format albums before, because what has been released before have mostly been compilations, or edited into long playing format after the fact. Happy Drone Day is, not so much a spotlight, but a magnifying glass on the Ruin perspective of the drone genre. Barely any of the tracks on the album are strictly drone; but that doesn't matter...
Keywords: ruin; bitkins; electronic music; netlabel; drone; industrial; ambient; noise; computers; vintage; analog; lo-fi; experimental